Peter Hofmann would have been 72 years old on August 22, 2016. To remember this remarkable artist, we have added several new photographs and well as Midou Grossman’s appreciation. READ here.
To be sure, Peter Hofmann is not forgotten, especially at Bayreuth. On August 6, 2016, Friedon Rosen in Der Neue Merker wrote of the opening of Parsifal at the Bayreuth Festival:
We have Schager! Perhaps the best Parsifal since Peter Hofmann. . .
At Bayreuth the Austrian Heldentenor Andreas Schager substituted for Klaus Florian Vogt. It was a debut filled with potential….He recalled the days f the 70s and 80s with the legendary Waltraud Meier as Kundry and Peter Hofmann as Parsifal.
Fritz Hofmann shared this Hörzu article about the family’s vacation to Tenerife in the 1980’s:
When I Sing, I Must Be in Top Shape!
Star tenor takes a holiday with wife Deborah Sasson on Tenerife, Hörzu’s Chief reporter Karin von Faber visits with him.
I meet Peter Hofmann at the swimming pool where a fountain splashes. He gently shakes the splash of warm water from his jeans. At 43, Hofmann says “This is the best time for a Wagner singer.”
Between two Meistersinger performances, he is taking a little holiday in Tenerife at the fitness center, Mar y Sol, deep in the south of the island where the dry air is like no where else and is perfect medicine for the bronchial tubes. Brother Fritz, his manager, and wife Deborah Sasson (33), dancer and singer from Boston, are with him. READ MORE in PRESS.
When I received this wonderfully evocative photo from Fritz Hofmann, it took me back thirty years to the time I was covering the Metropolitan Opera for several international opera magazines, and among some of the most exciting evenings I experienced were with Peter Hofmann on stage – as Siegmund and as Lohengrin. (An excerpt from my Opéra International from November 5, 1986, review is filed in PRESS.) In that decade, he virtually owned those roles, along with that of Parsifal and Stolzing, and he sang them often in New York, in Washington, D.C., at Bayreuth, and in all the world’s great opera houses. Sadly, so few of these performances have been preserved on video, because Peter was truly a cinematic presence as a singing-actor. The three that remain (the Chéreau Walküre, the Bayreuth Lohengrin, and the Met Lohengrin) still stir the heart in watching and listening to them!
This month the Bayreuth Festival will open with Tristan und Isolde, followed by Lohengrin. The lovely tribute received recently from a French admirer of Peter Hofmann’s art reminded me of the power of a presence like Peter’s to inspire the admiration and awe that great art always does. It has been twenty-five years since Peter filmed the Chéreau Walküre in 1980, twenty-nine since his debut as Siegmund. He went on to become the Lohengrin, Parsifal, Stolzing, Tristan, and , of course, Siegmund of the next dozen years on the Green Hill. If régisseurs like Hans Neuenfels are shaking the foundations of Wagner’s Festspilehaus today, one must remember how revolutionary Patrice Chéreau’s Ring was and how transformative Peter’s (and his colleagues like Jeannine Altmeyer, Gwyneth Jones, Donald McIntyre and all that Ring cast) performance was! In looking back at my own visits to Bayreuth, I treasure a little memory of a morning my husband and I visited Wahnfried, Wagner’s home. We were able to sit in the great music salon and request the playing of a recording of the Meister’s music. We chose Peter’s Grail Narration and settled back in the seats to listen. From the first mystical tones to the last proud declaration, his reading sent shivers through us. There in that magical instant the music was transcendent, joining the present to the past and, as Wagner would surely have wished, reaching into the future.
We’d also like to call your attention to a recent article in Scene 4 Magazine, entitled Four Tenors (and a Baritone): Falling in Love with Opera by Carla Maria Verdino-Süllwold. The piece reminisces about the magic of the tenor voice and four special singers who made the author a life-long opera lover. The third of these voices is Peter Hofmann’s and that section of the article is reproduced here on the site. Read More.
We are fortunate and very grateful that legendary soprano, Jeannine Altmeyer, was able to speak to Carla Maria Verdino-Süllwold for this exclusive remembrance of her friend and colleague, Peter Hofmann.
In the summer of 2000 Peter Hofmann and Jeannine Altmeyer visited the Bayreuth Festival together for the first time since they had last performed there in Tristan und Isolde in 1986. They were mobbed by fans and colleagues, delighted to see their idols once more on the Grünen Hügel. It was the last time Altmeyer would see her good friend in person, and the visit brought back a flood of wonderful memories. The Wagner “dream pair,” as they were often called, had made history together in the Chéreau Ring as Siegmund and Sieglinde and had performed together in the world’s great opera houses throughout the late 70s and 80s. Now retired and living in Southern California, Altmeyer graciously consented to talk about the special place Peter Hofmann held in her artistic life and her memories of a magical time. READ MORE HERE.
London- Der Freischütz
I had just come back from the lovely English harbor town of Ramsgate in West County Kent, where I had undertaken an English language course for several months, and before I was to begin my employment with an artist agency in Paris, Peter invited me to come to London with him for several weeks. He had been engaged to sing the role of Max in Der Freischütz there at the Royal Opera House in Covent Garden. Read More in PETER HOFMANN TALES OF A SINGER’S ADVENTURES. (#1, 2, 3 4, 5, 6)